Party Hits Summer Editions 3CD (2016)

Party Hits Summer Editions 3CD (2016)

Power woman Made in June is one of Amsterdams finest up and coming female producer DJs. In a male dominated DJ world, Made In June stands her ground and earned her stripes by turning every club she plays into a mad house. Malena Gracia presents Awakening, an epic hymn to the dance floor they have written and produced for her Juan Belmonte and Jose Spinnin Cortes. The great Sander van Doorn drops a new single release right after the amazing success of chart topper Gold Skies. This time around though, Sander goes back to his roots and slaps us in the face with a marvelous progressive techno bomb with the most amazing drive we�ve heard in a long time! R3hab does it again! How We Gonna Stop The Time feat. Stee Downes is the latest track from Kraak & Smaaks Chrome waves album to be given the stellar remix treatment.
Party Hits Summer Editions 3CD (2016)
Disco, Club, Bigroom, Nu-Funk, Grime, Big Beat | Zhyk Group
320 kbps | MP3 | unmixed | 2016 | 12:31:51 | 1680 Mb

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Steve Jansen - Slope (2014) [3CD] {Burning Shed Digisleeve Edition} (ft. David Sylvian)


Steve Jansen - Slope (2014) [3CD] {Burning Shed Digisleeve Edition} (ft. David Sylvian)
Steve Jansen - Slope (2014) [3CD] {Burning Shed Digisleeve Edition} (ft. David Sylvian)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.98 Gb | MP3 @320 -> 478 Mb
Full Artwork @ 600 dpi (png) -> 486 Mb | 5% repair rar
© 2013, 2014 Burning Shed / Steve Jansen | bshed 1305
Experimental / Experimental Electronic / Avant-Garde / Ambient / Alternative

"Released to highly positive reviews in 2007, Slope was the debut album from Steve Jansen (Japan / Rain Tree Crow). Exhibiting a bold combination of inventive rhythms, intricate programming & emotive vocal performances, the album features guest contributions from an impressive line-up including David Sylvian, Tim Elsenburg (Sweet Billy Pilgrim), Joan Wasser (Joan As Policewoman), Thomas Feiner, Anja Garbarek, Nina Kinert, & Theo Travis. As Jansen explains, "With Slope, I approached composition attempting to avoid chord & song structures & the usual familiar building blocks. Instead, in an attempt to deviate from my own trappings as a musician, I wanted to piece together unrelated sounds, music samples, rhythms & 'events'.""
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